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The
Consulate General of Israel, San Francisco -- Israeli Feature Film Series-- |
| We
are pleased to offer your group the opportunity to borrow and screen selections
from our Israeli feature film series.
Screening Israeli films is a unique and entertaining way to learn more about
Israeli culture, society and the arts. The movies are mostly
in Hebrew with English subtitles. In addition, the Israeli Consulate has experienced speakers available to lead a discussion after the film screening on a variety of Israel-related topics. Please contact the Public Affairs Department at 415-844-7504 or via email at projects@sanfrancisco.mfa.gov.il for further details and to borrow one of the following Israeli feature films: |
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Avanti Popolo, 1986 Dir:
Rafi Bukai84 minutes Based on a true story, AVANTI POPOLO follows two Egyptian soldiers, one of whom is a Shakespearean actor, stranded in the Sinai desert during the final hours of the 1967 Six Day War, as they make their painful way toward the Suez Canal. Delirious from thirst and later from the first taste of liquor, the two fall into situations ranging from the comic to the surreal. Skewering the stupidity and wanton destructiveness of war, AVANATI POPOLO generated considerable controversy as well as critical acclaim when it was released. |
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The Barbeque
People (Hamangalistim), 2003 |
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Besame Mucho, 2000 Dir: Joseph Pitchhadze114 minutes A modern love story laced with elements of the Film Noir. Ten loners from Tel Aviv are involved in a robbery of a stolen Christian icon from an international crime syndicate. The brutal outcome of this theft will alter their understanding of love forever. http://www.besamemucho.co.il/ |
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Big Dig (Ta’alat Blaumilch),
1969 Dir:
Ephraim Kishon89 minutes Blaumilch is a mental patient who escapes from the insane asylum and decides to turn Tel Aviv into Venice. He gets a hold of some roadwork equipment and starts digging a canal down Allenby Street, one of the city's main thoroughfares. Instead of anyone stopping him, Blaumilch becomes the center of a battle between groups of rival bureaucrats at the government and municipality. Each one thinks the other initiated the canal project. They all hate the idea, but none of them wants to find himself on the wrong side of Progress. So they try to outdo each other in providing Blaumilch with support and financing. |
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Bonjour
Monsieur Shlomi (Ha’Kochavim Shel Shlomi), 2003 |
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Cafe Tales (Sipurey Beit
Cafe), 2003 Dir: Amit Leor87 minutes Yutz, a frustrated poet past his prime, and his aging bohemian friends frequent Café Braun. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on the café owner and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to try to save the café. An off beat comedy about people struggling to maintain their sanity in an insane reality. |
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Desperado
Square (Kikar Ha-Halomot), 2001 |
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Halfon Hill Doesn't
Answer (Givat Halfon Eina Ona), 1975 Dir: Assi Dayan92 minutes Three reservists in the Israeli army can't seem to stay out of trouble in this riotous comedy starring the Hagashash Hachiver trio, a popular comedy team in Israel. Romantic mischief complicates the search for an AWOL soldier, which escalates to a madcap adventure. The top-grossing Israeli comedy of all time. |
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I
Don't Give A Damn (Lo Sam Zayin), 1987 Dir:
Shmuel Imberman 102 minutes PAL System Only Like many young Israelis, Rafi never gave much thought to the fact that when he reached a certain age, he would be expected to serve in the Israeli Army and may experience active duty in combat. It certainly never occurred to him that he might be injured, and if so, it never occurred to him that he would be crippled, as he was. Now he must try to learn to cope with a life which is vastly different from anything he ever imagined, and at first he has nothing but bitterness. An older veteran tries to help him learn to cope, and his relatives work hard to adjust as well. |
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Magic
(Sh’chur), 1994 Dir: Shmuel Hasfari 93 minutes Winner of six Israeli Film Academy Awards and the 1995 Berlin Film Festival Special Jury Award, Sh'chur, working in the `magic realist' tradition, paints a vivid portrait of a family caught between two worlds: that of traditional Morocco and modern Israel. While on air one night, Rachel, an Israeli TV personality, learns of her father's sudden death. Her journey home conjures memories of growing up in a different world rooted in Moroccan-Jewish custom, where her mother used ritual magic (sh'chur) as a solution to every problem. The world of spirits and demons has a true physical existence within their home and her mentally-disturbed older sister, Pnina, fills Rachel with fears. At the heart of Sh'chur lies a dark and ugly secret that threatens to destroy Rachel's life. |
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No. 17 (Haharug Ha-17), 2003 DocumentaryDir: David Ofek 76 minutes In June 2002, a bus on its way from Tel Aviv to Tiberius, was bombed and 17 people were killed. Of the dead, 16 were identified. Number 17 wasn't. The filmmakers document the search to identify the man no one identified as missing. * There is a small screening fee for this film |
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Over
the Ocean (Me’ever LaYam), 1991 Dir: Jacob Goldwasser 91 minutes A charming comedy, winner of 9 Academy awards in Israel, about a struggling family suddenly confronted with the possibility of great wealth. A Holocaust survivor family is visited by a friend from the concentration camp who lives in Canada. They face the dilemma of whether to leave Israel for an easier life abroad, or remain in Israel. |
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Passover
Fever (Lelayseder), 1995 |
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Peeping Toms (Metzitzim),
1972 Dir:
Uri Zohar90 minutes Gutte is an ambitionless middle-age lifeguard living in a shack on one of Tel Aviv's beaches. Gutte enjoys spying on his friend having sex. All the while, ironically, he regularly chases away the local kids trying to peep into the women's changing rooms on the beach. After being humiliated by his superior, a couple of teenagers and a beloved whore, he understands that the world is moving on, with or without him. The film has become a serious cult classic in Israel. |
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Sima
Vaknin Is A Witch (Sima Vaknin Machshefa), 2003 Dir:
Dror Shaul 97 minutes Sima is an older women who discovers she has supernatural powers after a curse that she puts on her neighbor comes true. She becomes famous overnight as a psychic and is driven by her greedy and in debt son in law to make as much money as she can with her new powers. Her psychic popularity grows and she is talked into backing some corrupt Russian politicians who buy her support. As she enters politics everything seems to fall apart and she is overwhelmed with conflict. Sima is about to learn many lessons until she finds love and peace. A broad comedic farce with slapstick humor. |
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Something Sweet (Mashehu Matok), 2004 |
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The Troupe (Halehaka),
1979 Dir:
Avi Nesher120 minutes A musical comedy about a dozen young men and women, who are members of an Israeli Army entertainment troupe in the period immediately following the Six Day War. Although the performers are not at the frontlines, they, too, suffer tensions, learning to get along, making and breaking romances -- all while competing to become the best performer in the troupe. |
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Yana's Friends (Ha’Haverim Shel Yana), 1999 Dir: Arik Kaplun 90 minutes This beautifully crafted romantic comedy, set against the backdrop of the Gulf War, is a bittersweet comment on the hopes, dreams and travails of Israel's Russian immigrants.Yana (Evelyne Kaplun), newly arrived in Tel Aviv, is young and beautiful. She speaks very little Hebrew and, without work, money or friends, faces the challenges of immigrants everywhere. The threat of poison-gas missile attacks forces her into the only sealed room in the house, in close contact with her roommate Eli (Nir Levi), an irresistibly charming, if roguish, wedding videographer. |
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Yossi & Jagger (Yossi v'Jagger), 2003 |